February 21, 2012
I was going to think about my academic mortality and my increasingly narcissistic delusions of grandeur,

but then I decided to think about race and gender in Batman: the brave and the bold. 

January 7, 2012

(Source: thecheeziersnack, via coolcolors)

January 7, 2012
THE LITTLE MERMAID

Once - and also at all points, technically, simultaneously, maybe - there was a mermaid. She had flaxen hair and a bad attitude and when she swam it was with only the barest elegance, her fishy hips stopping and starting with all the fluidity of sandpaper.

And anyway this mermaid came upon an old sea witch, whose hair was stark dark white against the rolling blackness of her skin.

The mermaid was no fool, was no pretty stupid little thing, not usually - but there was this princess, you know?

There’s always a princess, except when there isn’t. It’s almost worse when there isn’t, but sometimes it also feels like it’s the worst when there is. 

The princess was so beautiful it made the mermaid’s heart beat fast and hard and it made the water around her feel thick, feel like it was pressuring her sinus cavities. The mermaid felt hot and needy and like the whole world was the wrong color. 

This sea witch promised the mermaid some legs. I suspect that does not surprise you. 

The sea witch ground together the finger bones of a thousand origami sea monkeys and mixed it with the blood of a starfish that’d crossed her in a poker game. These things happened. She smeared her concoction onto the mermaid’s tail, watched as it shriveled and died and formed into two greenish colored legs. They were nice enough, I guess, if you didn’t mind their roughness. 

In return, the mermaid promised her anything she wanted. The old sea witch didn’t want anything. There’s nothing left to want when you are old and living under the sea. 

So the mermaid swam with her new fleshy legs to the surface. She washed up on a shore, alluring and mysterious, and she sang strange, other worldly songs outside the princess’ bedroom window. She told her horrifying stories that thrilled the princess to her bones. She made her elaborate promises and when the princess finally came to the beach, she kissed her royal highness with such passion and fierceness that the princess forgot to breathe. She forgot, even though she’d been a land mammal her whole life, even though she’d been breathing since before she even knew what her mouth was capable of. 

And they were married, I guess. I don’t know. It’s murky, it’s the sand mixed with sea water. They held hands and said their vows and on some level that mermaid really did love that princess, felt some kind of lasting and deep feeling for her. On some level. On a technical level. 

I don’t know. 

But the princess? She loved that mermaid. She felt hot and needy and like the world was the wrong color. And when they touched the princess felt like she could feel the waters of a thousand million places - like she could feel the ends of the earth and the cool rush of outer space. 

Except. The thing about sea creatures is they are wild and they are fickle. Or maybe they are just impulsive, prone to adventure. They are full of regrets. 

The mermaid found that after while she couldn’t sleep in the princess’ beautiful canopied bed, couldn’t keep her ankles from pressing together, from weaving her legs like she’d lost a limb - from swimming in the sheets. She’d wake up, horribly tail-less, and blue. 

And the princess would try to press her small, soft hands to this mermaid - to hold her close and whisper lullabies and sweet, small promises but it’s never enough. This princess is not enough, when you’ve known the wide and rolling seas, when you’ve known the cold flush of an ocean, when you’ve felt the push and pull of a gentle tide at dawn. 

And the princess knows it, even if the mermaid can’t quite verbalize her sadness. The princess knows she is not enough and she is forced to learn to live with a world whose colors always shift. She is forced to watch that mermaid dip her toes into the ocean. She begs the mermaid to move someplace landlocked - to sever her connection to the stormy, boisterous seas. But the mermaid begins to long for the water out of the tap, for the liquid in a pitcher. She grows increasingly distracted. She feels like a desert when touched. 

After awhile the princess cannot bear it. She draws a bath and she ties a cinderblock to her neck and she drowns and it feels heavy and like there’s so much pressure on her sinus cavities, like there’s so much pressure but then it’s gone. 

I don’t know what happens to the mermaid, if she mourns this princess, but I suspect she does. I suspect it’s shallow, this mourning, and I suspect that when she surfaces for air she finds she’s become a demon. 

2:58am
Filed under: demons 
December 21, 2011
I do solemnly swear to stop being stupid.

the spirit is willing but the flesh is weak

December 14, 2011
bohemea:

Scrooged

I LOVE THIS MOVIE, ANNA!

bohemea:

Scrooged

I LOVE THIS MOVIE, ANNA!

(via ifwehadwingsforflyin)

December 9, 2011
I can’t sleep, I feel like I’m losing my mind.

There’s this constant high pitched whine in my head, and an overwhelming need to claw my skin off.

This can’t go on much longer.

December 3, 2011
the way I handle most things

chukalie:

Read More

A punch in the gut? 

December 2, 2011
I AM A ONE WOMAN WRECKING MACHINE (Part 1)

For Mike. Apologies for how heteronormative it is - and for how long it took, but it’s honest - so hopefully that counts for something?

I’m going to try to tell you about the Bluebeard but I’m afraid that my fingertips only reach so far. My heart beats as fast and hard as any man’s but my brain only wrinkles as much as it does.

I’m afraid the love story of Bluebeard is beyond me. I only know bits and pieces, most of it is conjecture and the wild lamentations of a madwoman.

But I will try, because I - in my own way - love and love as Bluebeard.

So. Allow some slight alterations, allow me to rework his veins and reform his skull until -

Before there was you or me, there was a Bluegirl.

She lived in a castle made of the darkest obsidian, nestled in a clearing in the densest forest of Provincetown. When the light shined on her castle it lit up in streaks of orange and purple and refracted gothic rainbows onto the trees.

The Bluegirl’s name was not Bluegirl, but something else, something more like - Jenny, Laura, Tina, something. But everyone called her Bluegirl because she had thick blue hair that radiated from her scalp like heatwaves. It terrified everyone who saw it.

The hair wasn’t real, not technically.

She wore the hair because it flattered her - it kept away the angry eyes of the villagers and the empty hands of the gold-diggers. The hair was made from spun sapphires and the softest silk of a very poisonous, very large spider. It was imported from a country with little natural resources and lots of giant arachnids.

Bluegirl wasn’t always such a loner, though. In fact, once upon a time she lived with a King in her stark black castle. He was a poet, a fierce lover, and a terrible man.

He wrote stanza upon stanza about how pretty she was, how consumed he was with her being. He spent every moment stalking her, following her around the castle grounds.

She still has the scars to remember him by, tiny burns from hot wax or his sharp tongue, slicing into her skin. He’d paint her portraits, so raw and haunting, and she’d cry, and he’d eat her tears for supper. 

This is what love is, thought Bluegirl. And when her King would storm around the castle, setting small fires and screaming, Bluegirl would tear out her hair and make tiny puppets from them. She’d perform little plays until she was all spent up, until she’d filled him up with everything she had. 

It still wasn’t enough.

Bluegirl got very sick. She got so sick that her hair fell out and her fingernails sharpened themselves into claws so whenever she touched herself she’d shred her skin into ribbons. Bluegirl knew she was being punished. She knew she’d angered her ancestor’s gods, those great and terrible warriors and protectors. She wasn’t good enough for her King, for her country.

She got sicker and sicker until the world was just a blinding swirl of pain and the sharp scent of pine trees. One morning the King came to find her in her rooms, came to wake her up. He demanded a puppet show. But Bluegirl couldn’t stand, couldn’t create a puppet, all her hair had fallen out.

He flew into a rage. He smashed her ancestral temple, he burned her love poems. Bluegirl crawled to the window and watched him set his fires and hurl his insults.

In the morning, he came to find her, to apologize. On his neck she recognized teeth marks, the kind you get from ladies-in-waiting.

She killed him. Right there on the spot.

And so it went, for a time.

A few springs later the counsel of Bluegirl’s country met and demanded a new King. They showed her all her options - and one, a Prince from a neighboring nation, was very appealing. He was so beautiful and charming, like from a storybook.

When he met Bluegirl he took her hands and whispered promises into her palms and she fell so hard she got a nosebleed from the sudden drop in altitude. He created music for her, played until his fingers bled, he was so passionate for her. He listened to her rambling, tedious treatises on the mandate of Bluegirl and stared at her with longing eyes. He said she was the smartest, most gracious Queen he’d ever known.

But. At night, he’d leave the castle. Do you have to go? she’d say, her voice tinged cerulean with sadness. Oh, my love, he promised, I will be back in the morning.

But you, he said, have such responsibilities. You should wait here. I’ll be back in the morning, safe and sound.

And so she’d watch him go, out to hunt or take ecstasy and roll so hard he’d come back dazed and grey in the morning.

We are so different, but he always comes back. This is what love is, thought Bluegirl.

One morning he didn’t come home. She frantically sent out messengers, wrote him desperate notes tied to carrier pigeons. I miss you! she’d write, then fling them into the sky.

And when he returned, eventually, smelling like sweat and oil and looking terribly guilty, she was relieved. I’m so sorry, he said. And on his neck she recognized teeth marks, the kind you get from ladies-in-waiting.

Bluegirl thought about her position for a very long time. She understood, really, what had happened. She’d been so sick, for so long, could she really expect something as beautiful and charming as her Prince to be content with her spindly hair and torn up skin?

Bluegirl knew she was unworthy. So she waited. She told folktales about sad Princesses and composed sweet sonnets about her love for the Prince.

But. One morning, the Prince came to find her.

I can’t stay, he said. I will be back. It was always you, baby, he said. But I have to see the world. I’m taking your lady, the one with the raven hair and bad attitude, and we’re going on an adventure. You stay here and protect the realm, and when I return we’ll both be happy again, and I will finally deserve you.

He kissed her cheek and left.

Bluegirl knew he was lying, knew she would never be happy again. She stopped eating and only slept. The counsel took her crown and she banished herself to the the west wing of the castle. She began to wear her blue wig, to wallow in self-pity.

As her last act as Queen, she forbade anyone from entering her wing of the castle. She locked herself away.

And so it went, for a time.

Eventually her skin healed until her arms and legs were striped with thick scars, like tree branches embedded in her skin. Whenever she bumped into things, especially other people, she would ache as if her entire body were bruised. She avoided touch like it might kill her. Or maybe that’s why she craved it.

She wore that wig and everyone forgot her real name. She became Bluegirl.

She lost her speech. She stopped eating the food the counsel left her, instead choosing to consume rats and their fleas.

She became a demon.

12:22pm
Filed under: demons 
December 2, 2011
"It’s said it takes seven years
to grow completely new skin cells.

To think, this year I will grow
into a body you never will

have touched."

Brett Elizabeth Jenkins, December 21st, 2002 (via holdonmagnolia)

I was LITERALLY talking about this last night with D!

(via ifwehadwingsforflyin)

November 30, 2011
the past is the ultimate hegemon

iauiugu:

i declare temporal war

oh fuck yes, mike!

i won’t tell any more ghost stories.